London: Christie, Manson & Woods, Dec 2, 1987, large quarto, cloth. (126)pp. Christie, Manson & Woods, 46 items listed. From the Foreword to the catalogue: "Although her main interest was book collecting, she nevertheless managed to assemble a small, but select collection containing some quite remarkable manuscripts... Every aspect of..... More
New York: Christie, Manson & Woods, May 19, 1988, large quarto, cloth. 103pp. Christie, Manson & Woods, 139 items listed and described iin detail. A remarkable section of a remarkable sale: William Morris letters and manuscripts; Cobden-Sanderson' s binding on Morris's own copy of Karl Marx, Le Capital; Morris's original..... More
[London: Designer Bookbinders], 1991, First Edition. quarto, blue wrappers stamped in silver. 96 pp. Designer Bookbinders], Illustrated in color. Faint bump to top of spine, else a fine, clean copy. More
Hollywood, CA: W. M. Hawley, (1944), 27" x 35" folded chart in original printed sleeve. W. M. Hawley, Very fine. More
Calgary, AB, Canada: Bow Valley Calligraphy Guild, 1994, quarto, metal spiral binding, flaps tied with ribbon. Bow Valley Calligraphy Guild, Foreword by Lindley McDougall. Followed by 100 full color examples by members of the Guild. Very fine. More
New York: Design Press, (1989), First American Edition. folio, cloth in dust jacket. 256pp. Design Press, A beautifully produced book with color photographs from the work of German students in handwriting seminars at the University of Hamburg. The book " makes visible the process of teaching and learning" the various..... More
Berkeley: University of California Press, (2002), First Edition. quarto, black cloth in dust jacket. 288pp. University of California Press, Calligraphy has been a revered art form in China for centuries but has changed dramatically since Mao Zedong established the People's Republic in 1949. Twenty-five people are presented in individual chapters..... More
Brepols, 2017, First Edition. octavo, pictorial boards. 545 pp. Brepols, The textuality and materiality of documents are an essential part of their communicative role. Medieval writing, as part of the interpersonal communication process, had to follow rules to ensure the legibility and understanding of a text and its connotations. This..... More
Cambridge: The Harvard College Library, 1997, First Edition, Limited to 2,500 copies. quarto, printed wrappers. (xxiv), (128)pp. The Harvard College Library, This catalogue describes the collection of printed manuals for the teaching of lettering and handwriting collected by Hofer and now at the Harvard College Library. With Cited References, Index..... More
Newport, R. I. John Stevens, 1940, First Edition. large octavo, brown cloth. 125 pp. John Stevens, Divided into three sections: Theoretical, Practical and Historical. Printed by D. B. Updike at the Merrymount Press. Illustrated. Small name and address on front pastedown, pencil notations on back endpaper. No wear but a...... More
Boston: Bates & Guild, 1921, First printing of this edition. octavo, brown cloth in dust jacket. (xx), 214pp. Bates & Guild, A descriptive text with numerous illustrations of lettering styles and designs from the fifteenth-century to date of publication. This book is most useful in the section where it shows..... More
Davenport, IA: St. Ambrose University, (1991), Second edition. quarto, boards in dust jacket. (xii), 310pp. St. Ambrose University, Edited by Mary W. Gilroy. Illustrated and printed with accents and capitals and headlines in green or rust or both. The serif originated with Roman inscription letters, its history and development here..... More
London: A & C Black, (1985), First Edition. large octavo, printed wrappers. 260 pp. A & C Black, This comprehensive collection of eighteen authoritative articles is written for those who are seriously interested in practising, or in learning about, the skills of penmanship and the art of fine writing. The..... More
Woodstock, NY: Overlook Press, (1987), First American Edition. quarto, boards in dust jacket. 141pp. Overlook Press, Illustrated with color plates. A student of Edward Johnston, Wellington was a major influence on modern calligraphy helping to change it from a medieval influenced craft resurrected during the Arts & Crafts Movement to..... More
(London): Pelham Books, 1986, First Edition. quarto, boards in dust jacket. 141pp. Pelham Books, Illustrated with color plates. A student of Edward Johnston, Wellington was a major influence on modern calligraphy helping to change it from a medieval influenced craft resurrected during the Arts & Crafts Movement to a modern..... More
(London): Studio Books, (1963), First Edition. quarto, green cloth in dust jacket. 96 pp. Studio Books, Tradition: Historical Note; The Revival of Calligraphy in Great Britain; The Revival of Italic Handwriting; The Revival of Calligraphy on the Continent. Trends: Present Practice of Calligraphy in Great Britain; Present Practice on the..... More
New York: Taplinger, (1988), Later printing. quarto, boards. 96 pp. Taplinger, Tradition: Historical Note; The Revival of Calligraphy in Great Britain; The Revival of Italic Handwriting; The Revival of Calligraphy on the Continent. Trends: Present Practice of Calligraphy in Great Britain; Present Practice on the Continenetl Present Practice in America;..... More
New York: Taplinger Publishing Company, (1988), Third Edition. quarto, green boards. 128pp. Taplinger Publishing Company, A largely pictorial survey embracing the development and practice of Western calligraphy in the 20th century. It ranges from the revival by Edward Johnston of calligraphy based on historical scripts, through the pioneering work of..... More
(New York): Smithmark, (1996), large quarto, boards in dust jacket. 128 pp. Smithmark, Creative Calligraphy will provide a practical course for the beginner, from a basic introduction to the history of the craft and an explanation of the materials required. More
Rochester: RIT Cary Graphic Arts, 2011, First Edition. octavo, printed wrappers. (xvi), (118) pp. RIT Cary Graphic Arts, This book is a thorough account of Hermann Zapf’s contributions to the artistry and success of Hallmark Cards, an experience that is now fully blended into the company’s rich heritage. Since the..... More
New York: Metropolitan Museum of Art, (2000), First Edition. quarto, cloth in dust jacket. xii, 196 pp. Metropolitan Museum of Art, Letters in Gold accompanies the first international exhibition of Ottoman calligraphic works from the Sakip Sabanci Collection, Istanbul. The seventy-one works constituting the exhibition are discussed and illustrated in..... More
New York: Abbeville Press, (1987) , First American Edition. octavo, red boards in dust jacket. 251 pp. Abbeville Press, Short, closed tear to back panel of jacket. A clean, unworn copy. More
Koln: Taschen, (1999), First Edition. quarto, boards in dust jacket. (176)pp. Taschen, Text in English, German, and French. Starting with a biography of Morris the text follows the author/artist through interests in interior and furniture design, his public commissions, stained glass, tiles, wallpapers, printed textiles, calligraphy and the Kelmscott Press..... More
Caledonia, NY: Italimuse, Inc., 1963, First Edition. quarto, wrappers. (84)pp. Italimuse, Inc., The catalogue is divided into two parts: I. 1710-1957, in chronological sequence; II. Contemporary Calligraphy, in alphabetical sequence. Title page and headings calligraphed by Raymond F. DaBoll. Wrappers lightly soiled, top right corner mildly bumped. More
PBC International, (1993), First Edition. quarto, white boards in dust jacket. 192 pp. PBC International, Foreword by Sheila Waters. Table of contents: Alphabet Designs, Commercial Lettering, Calligraphic Art, Select Lettering Arts. With a Bibliography. Fine. More